Friday, April 15, 2011

A PAINTING CAPTURES A MEMORY









The railroad bridge across the Coosa River has been a landscape feature in Gadsden since the late 1800s when it was the only bridge. Vintage photos show pedestrians and horse and buggies using the bridge between scheduled trains. More recently citizens and city officials declared its rusty girders an eyesore and began looking for grants and contractors to paint the structure. But artists look with different eyes and many plein air painters at the 2009 and 2010 spring events hosted by the Gadsden Museum of Art made paintings of the bridge, rust and all.

At the 2010 event Dmitriy Proshkin used the location as the site for a workshop attended by aspiring plein air painters. His demonstration painting shows the thrust of orange girders against a blue sky, beautifully crafted stone supports, the wide Coosa, and steep river banks. I was lucky enough to buy this painting and it became the focal point of my dining room. Everyday I’m struck by the sensitive brushstrokes, color contrasts, and light effects—notice how the girder structure is lost and found against the bright sky, just the way the eye sees but most of us never notice.

Dmitriy brings an international touch to the Southeastern Plein Air Invitational because he was born and received his art training in Russia. He admires famous Impressionists like Monet, Pissaro, and Sisley and Russian Impressionists Shishkin, Savrosov, Vassilev, and Levitan. He explains that the Russian School of landscape artists seeks simplicity, to bring out the richness and poetic beauty of ordinary sights. I can see this approach in his painting of Gasdsden’s railroad bridge. As Dmitriy puts it: “I feel one of my most important tasks in painting landscapes is to express and bring out the true reflection of the mood of the moment.”

What will happen this year at the Southeastern Plein Air Invitational? What surprising subjects will artist choose? Will some once again choose the railroad bridge? Since last year the rust has been scraped off the bridge and it is now pristine silver. Will artists still find it appealing as a subject? I’m so thrilled to have a painting of the bridge as it was during my lifetime and will not be again. A good reason to buy a painting is that it captures a moment in time that will never return—a memory in paint.

Wednesday, April 13, 2011

BUYING A PAINTING OF A PERFECT SPRING DAY









The first plein air event was a gamble for both the organizers at the Gadsden Museum of Art and the artists—the year was 2009, the depth of the recession. Would people worried about the economy buy art? One of the artists taking a chance on the event was John Guernsey, a businessman transplanted from Southern California to Georgia who transitioned into a fulltime art career.

I remember noticing John on the day artists, museum volunteers, and visitors traveled to Wills Creek Vineyards (willscreekvineyards.com) in Duck Springs for a day of painting. The weather was perfect, clear and sunny and not too hot. With meadows and vineyards stretching to a range of blue mountains, a lake, and high white cumulus clouds, artists quickly fanned out setting up their easels to capture the views. But John did not. Instead he kept walking around and looking this way and that. Since I was one of the volunteers assigned to greet visitors and assist the artists I asked him if he needed anything. “Just looking for something to paint,” he said. I remember being astounded because it seemed to me that we were surrounded on all sides with things to paint. But John walked away still looking.

When all the paintings were hung in the museum galleries ready for the opening reception and sale it was hard to choose a favorite—the artists had transformed our local sights into fine art! But I kept returning to one particular painting of the meadows, mountains, and clouds on that day at Wills Creek Vineyards and it was a painting by John Guernsey. Why did that painting captivate me so? John explains it best, "I strive for a tonal, atmospheric look - and try to communicate to the viewer the feeling of 'being there'."

I bought the painting. It hangs across from my desk, a daily reminder of that perfect spring day. I wasn’t the only buyer to discover a painting I had to own—the plein air events for 2009 and 2010 resulted in over $30,000 in art sales!

Tuesday, April 12, 2011

ART COLLECTING MADE EASY

In the last two years I’ve become an art collector the easy way—I attended the plein air events hosted each April by the Gadsden Museum of Art. This year the Southeastern Plein Air Invitational offers a chance to see 15 professional artists from eight states painting the spring beauty of the Deep South—April 24-29, each day at a different location. Join me as I search for my next acquisition among the over 150 original paintings created in that one week. Watching the paintings as they are created on location and meeting the artists makes the owning the paintings so special.

What is plein air painting, you may ask? Today’s artists continue a tradition begun over 150 years ago in France by artists like Monet and Renoir who left their studios to paint en plein air (in the open air) and became known as Impressionists. Like today’s artists they wanted to save the light, color, and atmosphere of a moment in time. A plein air artist captures dancing sunlight with a flick of the wrist, a spring garden in a swirl of color, and historic architecture with a few brushstrokes. While it seems like magic, painting the landscape on-location requires a mixture of talent and years of observation, study, and practice.

Tomorrow meet John Guernsey who painted my first acquisition from the 2009 festival. This is his third year at the festival. Can’t wait to see this year’s landscapes!



Friday, June 18, 2010

Painting by Robin Roberts of Decatur, AL A beautiful rendering of the area looking up River from behind Twin Bridges Golf Course.

Noccalula Falls - Always a favorite attraction for tourists and artists alike. This painting, done by Katrina Weber of Huntsville, Al, was completed from the view not seen by most visitors - near the wedding chapel at the Falls. It was also the artist's choice as the best painting completed on Tuesday of the Plein Air Festival. Congratulations, Katrina!


The mark of a good artist is to find an interesting angle not perceived by everyone and make us take note. I think Donna Chieves of Birmingham was successful in doing so - don't you? Someone else must have thought so, too - this one sold during the silent auction.



And I guess this would be considered the "big" winner - the Old Rail Road Bridge by John Guernsey of Marietta, Georgia. John won the "Best of Show" prize for this work done on the first day of the Festival




Wow! Plein Air 2010 came and went so quickly I can hardly believe it. And guess what? We're already busy making plans for 2011. Thought you might like to see some of the paintings completed this spring -- Enjoy! Look for more of the paintings plus plans for 2011 on my blog - More next week! Elaine (Girl Friday!)

Sunday, April 25, 2010

Stormy Weather











The weather was really bad last evening, but thought you might like to see some of the photographs taken by Volunteers Harry Parker and Julie Curtis before the rains came!

Plein Air "Stars" for 2010




Well, the time is getting really close for GMA's 2010 Plein Air Festival and things are a bee hive of activity around here! We have a truly great line up of professional artists (Stars) for our Second Plein Air Festival:


Ron Bayens from Auburn (native of Canada)


Donna Chieves - Birmingham, AL


Dot Courson - Pontotoc, MS


John Guernsey - Marietta, GA


Greg Little - Oakland Park, FL


Susan Loeb - Atlanta, Georgia


Deborah Pellock - Suwannee, GA


Brenda Plunkett - Cave Springs, GA


Jan Polk - Southgate, Kentucky


Dmitriy Proshkin - Chattanooga, TN (native of Russia)


Craig Reynolds - Gadsden, AL


Ann Rhodes - Atlanta, GA


Robin Roberts - Decatur, AL


Ann Stickney - Northport, AL


Joan Ray Weaver, Fayette, AL


Katrina Webber - Huntsville, AL




Two volunteers have been busy with the camera taking shots of potential painting venues for the artists to consider. Here are a few of them for your viewing pleasure!

Monday, October 12, 2009

A Dickens of a Christmas



Things have been moving at a fast pace as we get ready for Christmas presentations - A Dickens of a Christmas and Memories of Christmas Past. One of the parts of the presentation will be a Christmas gallery of winter paintings that typify Christmas memories. Do you have one you would like to submit? If so, send a digitized image by e-mail to ecampbell@cityofgadsden by Friday, October 30. Be sure to include dimensions so that we can plan spacing. Artists will be notified of acceptance by E-mail on Wednesday, Nov. 4. Sorry, we cannot accept shipped paintings for the Christmas exhibit. Call for more information. (256) 546-7365)